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Suntower » Fri Mar 12, 2021 7:29 am There are zillions of articles about reverb products and special use cases, but I'm wondering if there is any current 'best practice' as to how many reverbs to use on a pop/rock record, theory configuration. I've read Billy Decker's new book... and of course Mike Senior's 'Mixing' and I always wonder =why= there are so many reverbs in a typical mix. ie. what is their -purpose-. I can see having a separate reverb on the lead vocal or bg vox or a drum buss, but it seems like a lot of pop records will have at least -3- reverbs: close, medium and far.

December 29, 2020 Nashville producer, singer, songwriter, composer and recording artist, Justine Blazer, has been taking the musical world by storm, earning 7 #1 singles on various independent charts.  Her unique style of edgy country/pop/rock is infused with a hint of Detroit soul and modern vibes.  She is a member of the The Recording Academy/GRAMMYS voter, the CMA’s and the ACM’s. Justine musical journey began at a very young age, studying vocal, music theory, piano and opera.  Her professional career launched when she won the Nationwide Ram Trucks Battle of the Bands competitio...