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brendan dawes is a generative artist himself and the developer of the film's bespoke generative software. the way to think of it is kind of like a collaborator. i give it some direction, but then it's like, "actually, i've done this," and i go, "wow, ok, let's go down that path and that route." i'm specifically looking to be surprised, surprised and delighted. i'm pleased if people are more confused than they were before, because i think the biggest problem is trying to deal with what i call the appetite for certainty. i think we normally want to have control as filmmakers of every second, so there's a little bit of surrendering that control. but the result is things that i never would have thought to connect myself. when i see it when our generative system does it, you know, it's like, "oh, my gosh, i didn't even think about that connection." that could be making unusual story choices, likejumping around out of chronological order, orjuxtaposing two seemingly unrelated scenes. those choices can lead

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a normal documentary where we craft each scene and, you know, time it out. we're creating kind of a structure in software that will create our film. you can think of it like this. up here, we have a pool of pre—cut scenes, hundreds of hours of never—before—seen archival footage and exclusive interviews with eno. down here, we have an empty structure looking for pieces to fill up the slots. some parts of the film are always the same. pieces here are pinned in place, but for the rest, the software makes selections, slots them into place based on instructions from the film—makers, and edits together a new film that it will never generate again. it can make approximately 52 quintillion versions of the film, which is 52 with 19 zeroes after it. brendan dawes is a generative artist himself and the developer of the film's bespoke generative software. the way to think of it is kind of like a collaborator. i give it some direction,

Film , Film-s-bespoke-generative-software , It , Documentary , Kind , Structure , Scene , Pool , Parts , Eno , Scenes , Pieces

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quintillion versions of the film, which is 52 with 19 zeroes after it. brendan dawes is a generative artist himself and the developer of the film's bespoke generative software. the way to think of it is kind of like a collaborator. i give it some direction, but then it's like, "actually, i've done this," and i go, "wow, ok, "let's go down that path and that route." i'm specifically looking to be surprised, surprised and delighted. i'm pleased if people are more confused than they were before, because i think the biggest problem is trying to deal with what i call the appetite for certainty. i think we normally want to have control as filmmakers of every second, so there's a little bit of surrendering that control. but the result is things that i never would have thought to connect myself.

Film , Film-s-bespoke-generative-software , Way , Versions , Kind , Artist , Brendan-dawes , Collaborator , Developer , 52 , 19 , Route

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from the filmmakers, and edits together a new film that it will never generate again. it can make approximately 52 quintillion versions of the film, which is 52 with 19 zeroes after it. brendan dawes is a generative artist himself and the developer of the film's bespoke generative software. the way to think of it is kind of like a collaborator. i give it some direction, but then it's like, "actually, "i've done this," and i go, "wow, ok, "let's go down that path and that route." i'm specifically looking to be surprised, surprised and delighted. i'm pleased if people are more confused than they were before, because i think the biggest problem is trying to deal with what i call the appetite for certainty. i think we normally want to have control as filmmakers of every second, so there's a little bit of surrendering that control. but the result is things that i never would have thought to connect myself.

Film , Filmmakers , Versions , Instructions , 19 , 52 , Way , Film-s-bespoke-generative-software , Kind , Artist , Brendan-dawes , Collaborator

"…With the Giddy Feel of a College Reunion": The Fun Frame Documentary Film Festival Returns

Publication with a focus on independent film, offering articles, links, and resources.

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"…With the Giddy Feel of a College Reunion": The Full Frame Documentary Film Festival Returns

Publication with a focus on independent film, offering articles, links, and resources.

United-states , West-virginia , Armenia , America , Clay-tweel , Gary-hustwit , Wendy-ettinger , Shoghakat-vardanyan , Brendan-dawes , David-byrne , Sam-pollard , Paul-farrell

Eye Magazine | Page

Eye Magazine | Page
eyemagazine.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from eyemagazine.com Daily Mail and Mail on Sunday newspapers.

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The Quietus | Film | Film Features | How A Brian Eno Documentary Has The Power To Change Film Making For Good

A new rock music and pop culture website. Editorial independent music website offering news, reviews, features, interviews, videos and pictures

Copenhagen , Køavn- , Denmark , David-byrne , Ebru-yildiz , Brian-eno , Joni-mitchell , Gary-hustwit , Brendan-dawes , Christopher-nolan , Laurie-anderson , Youtube

Anamorph's generative technology reorders scenes to create unlimited versions of one film

Anamorph, a new filmmaking and technology company, announced its launch today. The startup, founded by filmmaker Gary Hustwit and digital artist Brendan…

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Anamorph's generative technology reorders scenes to create unlimited versions of one film

Anamorph's generative technology reorders scenes to create unlimited versions of one film
techcrunch.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from techcrunch.com Daily Mail and Mail on Sunday newspapers.

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