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Funny that, you know, to know. but the think is is that i'm still scared. i'm really scared. >> alfonso is a fascinating director because he's smart, gifted and does all kinds of films. >> what was interesting about "children of men" is you had all these very small, very personal relationships in the middle of this dystopian future with something really human at stake, you know, this idea of fertility and continuing the species. >> people found it almost immediately and recognized what a powerful work it was, and now when you talk about the best films of the 2000s, it's always in that conversa...

Effortlessly flow to just where it needs to be. it's one of those scenes that leaves you saying, how the hell did he do that? it's the story telling that comes first and the camera work that comes second, but they just compliment each other so beautifully. >> what it does as well in "tis understand that film should be an -- you can feel like you're in some horrible survival story in the midst of very rugged wilderness. >> it pulls on your heart strings, pulls your heart out and then kicks you while you're down. you are gutted by his films, but you can't look away.

His "creature from the black lagoon ". >> guillermo del toro is an appreciator of the old school movie making. he never lost the 12-year-old geeky fanboy within himself. and i think that's why audiences can relate to his work so much. >> what you're seeing is a lot of directors using established genres to do something that's actually very iddio siosdiosync. he can make a movie like "gravity" that is spectacular that has to be seen on the big screen, but in reality is a very intimate, human movie. >> i know. we're all going to die. everybody knows that. but i'm going to die today.

>> all right. heads, then. >> well done. >> the cohen brothers are incredibly evocative because they're purposefully, i think, trying to bust up a norm. their true grit is an absolutely perfect motion picture. >> i thought you were going to say the sun was in your eyes. that is to say your eye. >> you've got filmmakers who begin in the late '80s or '90s who are just determined to always make the movies they want to make. as much as stubddios gain contr and as much as money becomes the coin of the realm, the spirit of the 1970s, the idea that the filmmaker could still be the one in charge will ...

Me again. >> i thought you were going to say the sun was in your eyes, that is to say, your eye. >> you've got filmmakers who begin in the late '80s or '90s who are just determined to always make the movies they want to make. as much as studios gained control and as much as money becomes the coin of the realm, the spirit of the 1970s, the idea that the filmmaker could still be the one in charge, will continue to sustain itself through the work that they do. >> "royal tennenbaum" because the house on archer in the winter of his 35th year. >> a wes anderson movie is meticulously composed, beauti...