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The car pass. cindy running into the middle of the street and jumping up. then did a pass with the car parked on the hit spot and cindy rolling out there in different positions. >> kyle then sends these layers to zane rutledge to work his magic. >> it's three shots stitched together in a couple of subtle and deliver ways. the original hand held shot up to a moment and then the final hand held shot at the end but in between we're seaming that together with the cheated hand held simulated in the computer. >> to create that shot zane uses a process called rote owe scoping. >> it's a pains taking ...

>> oh, my god. she's so lucky we're not doing it at night. >> but kyle knows the believability of the video hinges on how realistic the climactic car hit looks. >> rachel! >> it ended up being so much fun. it was kind of cool to see how it was made. >> this three second special effects shot takes hours to create. >> to do a digital effect you shoot basically several layers. from the top of the stairs i shot the road empty, the car pass, cindy running into the middle of the street and jumping up. then did a pass with the car parked on the hit spot and cindy out there rolling on the hood in diff...

Effect takes hours to create. >> to do a digital effect you shoot basically several layers. from the top of the stairs i shot the road empty, the car pass, cindy running into the middle of the street and jumping up. then did a pass with the car parked on the hit spot and cindy out there rolling on the hood in different positions. >> kyle then sends these layers to visual effects artist zane rudlidge to do his magic. >> it's three shots stitched together in a couple of subtle and clever ways. the original handheld shot up to a moment. then the final handheld shot at the end. but in between, we'...

Shot the road empty, the car pass, cindy running into the middle of the street and jumping up. then did a pass with the car parked on the hit spot and cindy out there rolling on the hood in different positions. >> kyle then sends these layers to visual effects artist zane ruddlick to do his magic. >> it's three shots stitched together in a couple of subtle and clever ways. the original handheld shot up to a moment. then the final handheld shot at the end. but in between, we're seaming that together with the cheated handheld simulated in the computer. >> to create that shot, zane uses a process...

Shot the road empty, the car pass, cindy running into the middle of the street, then with the car parked on the hit spot and cindy rolling on the hood in different positions. >> kyle then sends these lie layers to visual effects artist zane to do his magic. >> it's three shots stitched together in clever ways. the original hand held shot up to a moment. then the final hand held shot at the end. but in between, we're seaming that together with the cheated hand held simulated in the computer. >> to create that shot, zane uses rotoclipping. >> it's frame by frame rachel throughout rolling on the ...