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>> there was no special lighting, no special sound. it just was a flip camera. >> it took about a full day to do it. but kyle knew what he wanted and he knew how he wanted it to look. >> so now it's time for me to even the score. [ knocking ] >> that's my homeless. >> the challenges that it presented were fun. which is how to make this thing feel really real. ways to do that or like the handheld shaky cam. have the actors interrupt each other. >> oh, my god. you're so lucky we're not doing it at night. >> but kyle knows the believability of the video hinges on how realistic the climactic car h...

And simple. >> there was no special lighting, no special sound. it was just a flip camera. >> he knew what he wanted. and he knew how he wanted it to look. >> now it is time for me to even the score. that's my accomplice. >> challenges that were fun, how to make this thing feel really real. the way to do that was the hand held shaky cam. having the actors interrupt each other. >> but kyle knows the believability of the video hinges on how realist particular the clie mack particular car hit looks. >> rachel! >> it ended up being so much fun, it was kind of cool to see how it was made. >> this t...

>> oh, my god. she's so lucky we're not doing it at night. >> but kyle knows the believability of the video hinges on how realistic the climactic car hit looks. >> rachel! >> it ended up being so much fun. it was kind of cool to see how it was made. >> this three second special effects shot takes hours to create. >> to do a digital effect you shoot basically several layers. from the top of the stairs i shot the road empty, the car pass, cindy running into the middle of the street and jumping up. then did a pass with the car parked on the hit spot and cindy out there rolling on the hood in diff...

And simple. >> there was no special lighting, no special sound. it just was a flip camera. >> it took about a full day to do it. but kyle knew what he wanted and he knew how he wanted it to look. >> so now it's time for me to even the score. [ knocking ] >> the challenges that it presented were fun. which is how to make this thing feel really real. ways to do that or like the handheld shaky cam. having the actors interrupt each other. >> oh, my god. you're so lucky we're not doing it at night. >> but kyle knows the believability of the video hinges on how realistic the climactic car hit looks....

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