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Two Golden Bear contenders topline mk2 Films' EFM line-up - Vimarsana News

Two Golden Bear contenders topline mk2 Films' EFM line-up

08/02/2022 - Mikhaël Hers’ The Passengers of the Night and Carla Simón’s Alcarràs shine bright in the sales agent’s line-up, alongside upcoming titles by Marie Kreutzer and Serge Bozon

Two Golden Bear contenders topline mk2 Films' EFM line-up - Vimarsana News

Two Golden Bear contenders topline mk2 Films' EFM line-up

08/02/2022 - Mikhaël Hers’ The Passengers of the Night and Carla Simón’s Alcarràs shine bright in the sales agent’s line-up, alongside upcoming titles by Marie Kreutzer and Serge Bozon

Two Golden Bear contenders topline mk2 Films' EFM line-up - Vimarsana News

Two Golden Bear contenders topline mk2 Films' EFM line-up

08/02/2022 - Mikhaël Hers’ The Passengers of the Night and Carla Simón’s Alcarràs shine bright in the sales agent’s line-up, alongside upcoming titles by Marie Kreutzer and Serge Bozon

Carla Simón is finally shooting Alcarràs - Vimarsana News

Carla Simón is finally shooting Alcarràs

film profile]. The shoot had been scheduled to start exactly one year ago, but the health crisis brought on by the coronavirus pandemic delayed filming by months. For the shoot, it was vital that the peaches which are so important in the storyline would be hanging from the trees, ready to be picked during the summer. Just like in Dream of Light, the iconic documentary by Víctor Erice, nature thus pulls the strings of this film, which is finally becoming a reality on the originally scheduled dates, but with a delay of 12 months. (The article continues below - Commercial information)

Spring Blossom review: age-gap romance in full bloom - Vimarsana News

Spring Blossom review: age-gap romance in full bloom

A portrait of romance and fantasy, boredom and adolescence, Suzanne Lindon’s understated and elegant debut navigates the unique thrills of first love. At 16 years old, the psyche of young Parisian Suzanne (also played by Lindon) is little occupied outside of school and home. She has two posters on display in her bedroom – one of Bambi (1942), the other of À Nos Amours (1983) – fitting décor for a precocious and long-limbed adolescent looking for excitement elsewhere. Suzanne’s gaze is distant and disconnected around her fellow students, the claustrophobic camerawork ...

Source: bfi.org.uk