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Colton schrag remembered him very well. i d watch him grab students and chuck them to a wall, grab them by the neck and slam them on the rocks outside, get in their face yelling and screaming. boyd denied that. but amanda listened and remembered her childhood at agape, watching boys being dragged off to a room known as the padded palace. when you open the door, it would go into this weird, dark, carpeted room. and that was the restraint room. and then all you would see is later these boys were being drug back down from this room. and they re all bloody and bruised. we talked to a dozen former agape students and four former employees who told us they witnessed staff mistreating kids over a number of years. agape did not respond to our requests for comment. on its website, it states its staff doesn t participate in corporal punishment. and they have all been trained ....
A gallery in washington where a woman who looks, quote, strikingly like ivanka trump enters a carpeted room and starts vacuuming. while patrons throw crumbs on the floor for her to vacuum up. that s pretty humiliating. but isn t that the point? the around it s says we enjoy throwing the crumbs for ivanka to vacuum. that is the icky truth at the center of the work. it s funny, it makes us feel powerful, and we want to do it more. how edgy, how dangerous, how lame. [laughter] look, i m not trying to censor art, but art is about taking risks, and that s about as risky as peanut butter. all this bozo did was match the media s desires. and how is this not misogynystic? anyway, i ve seen better performance art here. [laughter] ....
Piece called ivanka vacuuming at a gallery in washington where a woman who looks, quote, strikingly like ivanka trump enters a carpeted room and starts vacuuming. while patrons throw crumbs on the floor for her to vacuum up. that s pretty humiliating. but isn t that the point? the around it s says we enjoy throwing the crumbs for ivanka to vacuum. that is the icky truth at the center of the work. it s funny, it makes us feel powerful, and we want to do it more. how edgy, how dangerous, how lame. [laughter] look, i m not trying to censor art, but art is about taking risks, and that s about as risky as peanut butter. all this bozo did was match the media s desires. and how is this not misogynystic? anyway, i ve seen better performance art here. [laughter] ....
ivanka vacuuming, enters carpeted room and starts vacuuming while patrons throw crumbs on the floor for her to vacuum up. isn t that humiliating? we enjoy throwing crumbs for ivanka to vacuum at the center of the work, it s funny, pleasurable and makes us feel powerful, how edgy, how lame, i m not trying to sensor art or anything, but art about taking risks and that s about as risky as peanut butter. all this bozo did was the media desire. imagine being hillary or michelle obama in her place, anyway, i have seen better performance art here. ....
Piece called ivanka vacuuming at a gallery in washington where a woman who looks, quote, strikingly like ivanka trump enters a carpeted room and starts vacuuming. while patrons throw crumbs on the floor for her to vacuum up. that s pretty humiliating. but isn t that the point? the around it s says we enjoy throwing the crumbs for ivanka to vacuum. that is the icky truth at the center of the work. it s funny, it makes us feel powerful, and we want to do it more. how edgy, how dangerous, how lame. [laughter] look, i m not trying to censor art, but art is about taking risks, and that s about as risky as peanut butter. all this bozo did was match the media s desires. and how is this not misogynystic? anyway, i ve seen better performance art here. [laughter] ....