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which has been acknowledge is great for people in this country, protecting public services and that is the kind of leader i think we are going to need. is the kind of leader i think we are going to need-— is the kind of leader i think we are auoin to need. ., ~ ,, , . caroline dinenage is the conservative mp for gosport. she supports penny mordaunt. thank you very much, it is great to have a conveyor belt of all the supporters. thank you very much, caroline dinenage, forjoining us. great political punditry! yes. caroline dinenage, forjoining us. great political punditry! yes, how d...

hello and welcome to the film review on bbc news. to take us through this week's cinema releases is mark kermode. and, mark, you're going to start with something that's quite nostalgic for some of us? well, we have an interesting batch this week. so, we've got something for everyone. we've got the railway children return, which is the sequel to the much—loved classic. we have the good boss, which was spain's entry for the best international feature oscar. and we have the grey man, which is the new film by the russo brothers. but let's start with railway children return. a couple of...

toxic, _ issue —— wedge issue. it is very toxic. is — issue —— wedge issue. it is very toxic. is not _ issue —— wedge issue. it is very toxic, is not something that should be used _ toxic, is not something that should be used in — toxic, is not something that should be used in this way. not a good idea _ be used in this way. not a good idea but — be used in this way. not a good idea but it— be used in this way. not a good idea. but it is politics and it is dirty— idea. but it is politics and it is dirty politics. may be it appeals to the tory— dirty politics. ...

I mean, all the way through, the camera never sits still. it's always flying around and zooming hither and yon, even if two people are talking, the camera's zooming around. so it's a lot of visual flash. not much substance, but i kind of think you probably don't go and see the grey man for substance. what you go and see it for is big action set pieces, and it is fighty—fighty, shouty—shouty, smashy, runny, crashy, boom pretty much all the way through. laughter. i mean, there was a point in it when i thought i'm quite tired because, you know, it's like it just doesn't let up, and the fight ...

We know he's bad because, a, he has a very bad moustache and, b, he doesn't wear socks, so we know immediately that he's very, very bad. laughter. the set pieces are... i mean, all the way through, the camera never sits still. it's always flying around and zooming hither and yon, even if two people are talking, the camera's zooming around. so, it's a lot of visual flash. not much substance, but i kind of think you probably don't go and see the grey man for substance. what you go and see it for is big action set pieces, and it is fighty—fighty, shouty—shouty, smashy, runny, crashy, boom pre...