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Caerwen Martin's first Sinfonia, written for Melbourne Chamber Orchestra, was like "letting out a long-held secret".

Celebrating one of the oldest canvas’ to date, the ‘human body’. A documentation established in 2014 when I reached a point in my work questioning the standards and politics of female beauty. I set out on a journey to seek my own truth, without a commercial agenda and consciously removing myself from the already established standards of the beauty industry. In those years, my aim was to encourage diversity by photographing all body shapes and colours and leaving in all their beautiful imperfections. Scars, bruises, stretch marks, I feel help tell a story of the human condition without t...