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Wellington City Council ends negotiations to reopen Reading Cinemas in Courtenay Place

Wellington City Council has ended negotiations with Reading International over a controversial deal to reopen the closed cinema complex on Courtenay Place....

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Commercial Bank in 'exclusive partnership' with Novo Cinemas to elevate cinema experience for credit cardholders

Commercial Bank in 'exclusive partnership' with Novo Cinemas to elevate cinema experience for credit cardholders

Qatar , Sudheer-nair , Roger-abi-haidar , Shahnawaz-rashid , Bank-cardholders , Commercial-bank , Novo-cinemas , Buy-one-get- , Retail-banking , Gulf-times , Commercial-bank-cardholders , Novo-cinema

BBC News

that sting through a spike on their abdomen.— that sting through a spike on their abdomen. don't go near an of their abdomen. don't go near any of them. _ their abdomen. don't go near any of them, thank _ their abdomen. don't go near any of them, thank you - their abdomen. don't go near any of them, thank you very l any of them, thank you very much forjoining us. in many parts of the world, cinemas are still struggling to bring in audiences. in some instances, film fans not totally won over by streaming are exploring new ways of watching movies by going to what are called microcinemas. tom brook explains the appeal. micro— cinemas can be found in all kinds of new locations inside this formerfire station, or behind the nondescriptive brooklyn storefront. they are modest makeshift spaces often showing experimental or nonmainstream work. ~ . ., . ., experimental or nonmainstream work. ~ . ., , experimental or nonmainstream work. a ., ,, work. micro cinema is put siml work. micro cinema is put simply a _ work. micro cinema is put simply a small— work. micro cinema is put simply a small cinema. i work. micro cinema is put i simply a small cinema. you don't need more than a folding chair, project and a white wall. chair, pro'ect and a white wall. ,, . ' .,

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BBC News

the idea — to put the digital revolution to one side and generate respect for the art of film—making with supervised instruction. we teach a number of workshops, we're a learning lab, so we teach super eight, 16 and 35 motion picture film—making. those who run micro—cinemas view them as a permanent feature of the landscape, a way of seeing films which will prevail and develop. micro—cinemas will continue to evolve because cinema itself is always evolving. at the same time, part of the allure of micro—cinemas and cinemas in general is that they address a very fundamental need for people to come together, to partake in a kind of public ritual in a shared space. that desire to see movies together is perhaps more than anything else what sustains micro—cinemas. despite the convenience of streaming, gathering together in the dark, even in small numbers, to watch in general is that they address

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BBC News Now

do you know kim's video? among the recent documentaries shown here was kim's video, a film that explores a legendary now—closed new york video store. the co—editor of the documentary came to the dctv screening. to him, a big plus of microcinemas is they provide a space for film—makers like himself to interact directly with audiences. it's like a learning experience for both sides. i feel like it's rather unique to small cinemas in a way you would never get at a multiplex. so, i don't need to have an enormous audience, i'm not even that excited about a million people streaming at home as much as i am having a small dialogue with an audience who cares about movies. in the financially fragile world of independent film—making, micro—cinemas are being seen as a lifeline and a particular help to documentary film—makers. we are a part of the documentary ecosystem in the world. and when we opened, which was right after the pandemic, it was also just a really challenging time, that most documentary films were not being bought and we're one of the few cinemas in new york that can screen films that don't have distributors.

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BBC News

at the same time, part of the allure of microcinemas and cinemas in general is they address a very fundamental need, for people to come together, to partake in a kind of public ritual in a shared space. that desire to see movies together is perhaps more than anything else what sustains micro—cinemas. despite the convenience of streaming, gathering together in the dark, even in small numbers, to watch a film, still, for many, holds an unbeatable magic. tom brook, bbc news, new york. a couple of stories i wanted to bring you before we get the weather. first... scientists believe they've identified the largest marine reptile ever on earth. a gigantic ichthyosaur measuring around 25 metres long, the length of two double decker buses, that lived 202 million years ago. remains were discovered by amateur fossil hunters in somerset.

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BBC News

and when we opened, which was right after the pandemic, it was also just a really challenging time, that most documentary films were not being bought and we're one of the few cinemas in new york that can screen films that don't have distributors. also part of this universe that includes microcinemas is an endeavour called mono no aware. in addition to screenings, it gives people the opportunity to literally handle film and make movies. the idea — to put the digital revolution to one side and generate respect for the art of film—making with supervised instruction. we teach a number of workshops, we're a learning lab, so we teach super eight, 16 and 35 motion picture film—making. those who run microcinemas view them as a permanent feature of the landscape, a way of seeing films which will prevail and develop. microcinemas will continue to evolve because cinema itself is always evolving.

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BBC News

this trailer is promoting a long established new york micro cinema, dctv, a venue that has a loyal following. do you know kim's video? among recent documentaries shown here was kim's video, a film that explores a legendary now—closed new york audio store. the co—editor of the documentary came to the dctv screening. to him, a big plus of microcinemas is they provide a space for film—makers like himself to interact directly with audiences. it's like a learning experience for both sides. i feel like it's rather unique to small cinemas in a way you would never get at a multiplex. so, i don't need to have an enormous audience, i'm not even that excited about a million people streaming at home as much as i am having a small dialogue with an audience who cares about movies. in the financially fragile world of independent film—making, micro—cinemas are being seen as a lifeline and a particular help to documentary filmmakers. we are a part of the documentary ecosystem in the world.

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BBC News

himself to interact directly with audiences.— with audiences. this like a learning — with audiences. this like a learning expense - with audiences. this like a learning expense for- with audiences. this like a learning expense for both | learning expense for both sides, it is rather unique cinemas and away you would never at a multiplex, they don't need to have an enormous audience are not even that excited about a million p streaming at home is much as i have smaller —— having a small dialogue with an audience that cares about movies. the financially _ cares about movies. the financially fragile - cares about movies. the financially fragile world | cares about movies. the financially fragile world of independent film making, they are seen as a lifeline and a particular help to documentary filmmakers. brute particular help to documentary filmmakers-— particular help to documentary filmmakers. we are part of the documentary — filmmakers. we are part of the documentary ecosystem - filmmakers. we are part of the documentary ecosystem in - filmmakers. we are part of the documentary ecosystem in the | documentary ecosystem in the world, and when we opened, which was right after the pandemic, it was also just a really challenging time, that most documentary films were not being bought and we are one of the few cinemas in new york that could scream films that do not have distributors. balsa not have distributors. also art of not have distributors. also part of this _ not have distributors. also part of this micro - not have distributors. also part of this micro cinema l not have distributors. alsol part of this micro cinema as not have distributors. also part of this micro cinema as an endeavour called mono no ra, it

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BBC News

these insects could thrive within these insects could thrive within the uk, where previously they would not have been able to flourish because the conditions would not have been right. they can also change their behaviour or little bit when the climate changes, for example, drought conditions can make them go more deeply into the soil and make them more difficult to control. the interaction with climate change is really important. helen roy, ecologist, thank you very much for bringing us up—to—date on the dangers of fire ants. in many parts of the world, cinemas are still struggling to bring in audiences. in some instances film fans not totally won over by streaming are exploring new ways of watching movies by going to what are called microcinemas. tom brook explains. micro—cinemas can be found in all kinds of new york locations. inside this former fire station,

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