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Or is it -- >> it can be. right. there are some pistols that are complete dummy pistols that can't do anything. but for real life shots, for close-ups, they may use something that has a projectile. and then cut and use dummy bullets with blanks which will sound like bullets but up close don't look like real bullets. that's a very scary process. you need somebody to be super careful that you're using the right kinds of dummies and blanks. keeping live rounds at all costs away from the sets. >> we know these films. there have been cases of terrible accidents, for instance, involving harrison for...

Margaret, we'rejust seeing images of it. i mean, two things strike me — one, its huge and two, the level of detail is extraordinary. well, i did take lots and lots of photographs and then i could have them enlarged and see close—ups of the windows and the doors and the entrances to see how it all went and i copied them. and when when i'm looking at this, i mean, how do you — forgive me if this is a really naive question — how do you get the walls and things to stay upright, because it's all knitted, isn't it? that is all knitted, yes. but it's very difficult to get the colours you want...

The Atlantic The Women Who Changed War Reporting Two new books show that diversifying the ranks of journalists served to diversify the kinds of stories that get told to the American public. March 6, 2021 The Atlantic Marines recovering a dead comrade while under fire in South Vietnam. Photographer Catherine LeRoy holds cameras behind them.Larry Burrows / The LIFE Picture Collection / Getty In 1966, a young American journalist named Frances FitzGerald began publishing articles from South Vietnam in leading magazines, including this one. She was the unlikeliest of war correspondents—born into...

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World goes computer. >> you have to let it all go, neal, fear, doubt and disbelief. free your mind. >> the matrix changes everything. you have the embrace of eastern cinema into western cannon. and you've got them making their actors do the stunts themselves. keanu reeves had already done "point break, had already done "speed," but this is a different level of action star that he's transforming into. this was six months of training every actor had to go through. and one of the things that you get when you're having the actors do their own stunts, you can film close-ups of the face while a punc...