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MÝTO POD ĎUMBIEROM - Už sú oficiálne svoji! Tereza Hudecová a Milan Benda sa do povedomia verejnosti dostali začiatkom roka, keď spoločne ...
Vissvētākās Jaunavas Marijas debesīs uzņemšanas svētku vakara jeb vigīlijas misē Zbigņevs Stankevičs vērsa uzmanību uz šaubām, kuras ir pārņēmušas sabiedrību.
Harvest season in high gear: the latest from Worcester-area farms
輕颱「盧碧」挾帶西南氣流，南投縣國姓鄉累積雨量達420毫米，連日豪雨沖刷，大石村昌榮巷（舊稱保甲路）7日凌晨傳出走山，崩塌面積長、高粗估約70米，國姓鄉公所指出，近期因地震頻傳，疑造成山區土石鬆動，加上連日
In the film Blow-Up (1966)[i] photographer (David Hemmings) becomes consumed by some enigmatic photographs he has taken in a park – do they show a murder in the background or not? Repeatedly, he enlarges the photographs looking for meanings or clues, in the process deconstructing both the images, and, inadvertently, the context in which he exists. All the long sections in italics below this introduction, are taken from two central chapters[ii] of a literary/ecological thriller, A Bruise on the Snow. Though deprived of its characters and plot, in a manner less abstract but perhaps not ...