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>> jim parsons, the big bang theory. >> obviously we didn't go away, and i believe very strongly that the multi-kamm, the way they're shot in front of the studio audience, you hear the other people laughing. i think it ignites something that's in all of us that's very primal almost, which is that desire to gather as a group and hear a story. >> hey, lauren, look. live from new york, it's saturday night! >> so, every generation has their favorite saturday night live, right? and it's usually the one that was on when they were in high school. so, the people that were in high school during the 200...

>> so it is a fool's errand to try and please anyone but yourself when you're writing a series finale. >> finales have become increasingly more important, you know. if you don't do a really good finale to a really good series, the series can sort of lose its luster. but "6 feet under" comes up with a perfect ending and the show is actually enhanced a little bit. the end of 6 feet under has the daughter just driving away in the car and music starts to play. it's "breathe me." and she looks up in the rearview mirror, like she's looking backwards. but then the show looks ahead. ♪ ouch, i have l...

Post cartoonist who showed fans getting whacked. and chase literally got whacked online. >> three or four days later carl ton and i were in new york talking to a couple television critics about how amazing it was. they were like, oh, you know, there's a lot of controversy about the sopranos finale. we were like, what? oh, yeah, some people just absolutely hate it. like the whole cut to black, it's pretentious, nobody knows what it means. they're all discussing whether tony is alive or dead. those are all the things that make it brilliant. and right then we realized we were completely and total...

And getting kind of stale. >> you guys play the most important part, the live studio audience. >> now, there is no form of television that makes as much money for the networks as multi-camera tv shows. [ laughter ] >> we write a for-camera show, we write it, direct it, form it, rehearse it like a studio audience. when someone gets a laugh on that stage, they actually hold as you do not in real life, as you do not in single camera. you are holding for that laugh. [ laughter ] >> it's an abstract. >> not abstract enough. >> you've done an amazing job. >> it looks like something, though. what doe...

United states, without putting social security front and center, is like running for president of the walt disney corporation by saying you're going to fix the rides at epcot. >> i think what made it different than the shows i worked on was the richness of character and words and thoughts and images aaron sorkin wrote. >> i would love people to think i'm as quick and clever as the characters i write. but utd be disappointed if you met me. >> josh, six pages on english is the national language. >> meetings don't take place sitting down and talking to people. >> the social studies paper -- >> jo...