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The Ririe Woodbury Dance Company is in Wilmington this Thursday

Cadence A unique mix of pieces—two of them originally planned for live performance last spring, and one created during the past year specifically for online presentation—came together for Ririe-Woodbury's Cadence virtual production in a way artistic director Daniel Charon didn't quite plan for. "This show wasn't conceived with a thematic through line, but one emerged through the process," Charon says. "[Choreographer Charles O. Anderson] spoke so much about howleveraging individuality can serve a collective solidarity––how what makes us all the same is our striving to be individuals....

Credit Ririe-Woodbury Dance Company On Access Utah, we’ve checked in with arts organizations a couple of times during the pandemic. Today we’ll do so again. We’ll see how these organizations have fared in difficult circumstances, what creative new ideas might become standard practice, and what the future looks like. And we’ll ask you how your habits have changed during the pandemic and what you’re most looking forward to attending as things ease a bit. If you are with an arts organization, we’d love to hear how your organization is doing. Email us now to upraccess@gmail.com Our gu...

On-demand Feb. 13 – March 11 Tickets $18 Tori Duhaime If 2020 was a trying transitional time for the performing arts, 2021 is the time of understanding what everyone learned when forced by necessity to innovate. Last fall, Ririe-Woodbury Dance Company artistic director Daniel Charon observed that while creating a new work at a time when it wasn't clear whether it would be for a live audience or a virtual presentation, he had to be thinking about it in both ways simultaneously. Now, with the understand...