Nick Schmitt specifies Ayrton for Munich's Klassik am Odeonsplatz
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Daniel Harding led a modernist interpretation of Mahler’s Ninth full of fierce drama, eloquence and intensity, in the orchestra’s thrilling return to this hall
Amsterdam's best sound gorgeous as ever, but Harding and Kavakos push too hard. Classical music review by Gavin Dixon
Increasing diversity may be the long-term strategy to win new audiences for classical music, but in the meantime hard-pressed managers know there’s nothing like the “dream ticket” of a top-rank international orchestra and top-rank soloist to pull in the punters.
He’s been on the podium with the world’s leading orchestras but, he says, his new parallel career flying for Air France has taught him things he never learned in 30 years of music making