La Juive: an opera review by Murray Dahm » J-Wire
Fromental Halévy’s La Juive is often considered a tenor’s opera. This is because the great Act IV aria “Rachel, quand du Seigneur” is the work’s most popular and tenors since Enrico Caruso have planned performances around their rendition of it. Don’t get me wrong, Diego Torre’s Eléazar sang it stupendously (and received the longest and…
Source: jwire.com.au