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How do you... you know, often, an actor or actress are on a set, doing a big, emotionalscene, and the first person they look at is the camera operator, after the director's shouted "cut", orsomething, and i love that, just, again, you know, which i experienced with, again, as i said, with richard burton and john hurt in 1984, and it's just a wonderful thing to be that person. having watched a lot of your films, that completely makes sense, because i think it's true to say you love working on films, which focus on human beings, you know... yeah. ..on people and their stories. you have said that...

Want to go out of it, or, as i say, it's that sort of personal relationship with a camera. i find what the camera does, the position and the composition, is more important than lighting. i love lighting, but that's not it, really, it's my relationship with the camera and the relationship of the camera to the actors in the frame, it's how do you compose a human face? how do you... you know, often, an actor or actress are on a set, doing a big, emotionalscene, and the first person they look at is the camera operator, after the director's shouted "cut", orsomething, and i love that, just, again, ...

Or actress are on a set, doing a big, emotionalscene, and the first person they look at is the camera operator, after the director's shouted "cut", orsomething, and i love that, just, again, you know, which i experienced with, again, as i said, with richard burton and john hurt in 1984, and it's just a wonderful thing to be that person. having watched a lot of your films, that completely makes sense, because i think it's true to say you love working on films, which focus on human beings, you know... yeah. ..on people and their stories. you have said that you actually worry that far too many fi...