Choáng ngợp với 7 bức tượng lớn nhất thế giới
03:00 | 21/07/2021 |
Những bức tượng hùng vĩ nhất thế giới sẽ khiến du khách cực kỳ choáng ngợp khi tận mắt chiêm ngưỡng.
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Tượng thần đầu voi Ganesha đặt tại đền Rattanaram ở Chachoengsao (Thái Lan). Tượng có màu hồng có cao 16m dài 22m. Voi thần Ganesha biểu tượng cho sự thoải mái, hạnh phúc và thịnh vượng.
- Martin Scorsese
‘‘Not to have seen the cinema of Ray means existing in the world without seeing the sun or the moon.’’
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Akira Kurosawa
One is an American master and the maker of timeless Hollywood classics like ‘Taxi Driver’ or ‘Goodfellas,’ the other the Japanese auteur who is regarded as one of the most influential filmmakers of the 20th century. The sense of respect and admiration for Ray, the man who was responsible for taking Indian cinema to the global audience, was one of the few factors they would have had in common.
It’s a pity that the Covid-19 pandemic, like so many other things in our lives, have deprived his family and Kolkata - his own city - from celebrating his 100th birth anniversary on Sunday (May 2). The fact that it’s also the day for counting of votes after a volatile, protracted assembly elections in West Bengal over March-April, means the opportunities for his retrospectives, appraisals in TV talk shows and what have you - will have
Satyajit Ray
“Not to have seen the cinema of Satyajit Ray means existing in the world without seeing the sun or the moon,” observed Akira Kurosawa with regards to the Indian master who would have turned one hundred this May. Influenced by the poetic humanism of Jean Renoir and the Italian neorealist movement, Ray self-financed his landmark debut
Pather Panchali the first installment of his internationally celebrated
Apu Trilogy, a cycle of richly humane masterworks that traces its title character’s journey from boyhood to maturity. Over the course of a long, remarkably varied career that encompassed forays into a wide array of genres including period pieces, comedies, detective mysteries, and documentaries Ray applied his compassionate, lyrical vision to explorations of female liberation (
In Celebration of Asian American and Pacific Islander History Month
OFFICIAL PRESS RELEASE Warner Media
On May 1, HBO Max will launch its See Us: AAPI And Our Global Community spotlight page, showcasing the range, diversity and spirit of the community during Asian American and Pacific Islander Heritage month and beyond. Continuing our rich history of amplifying diverse stories and talent, this HBO Max spotlight page celebrates the visionaries amongst us, and collectively promotes and supports the telling of stories from the Asian and AAPI perspective, while also acknowledging the importance of representation moving forward.
See Us will offer hours of curated programming, featuring compelling films and series including Mortal Kombat, Crazy Rich Asians, Life of Pi and Warrior, documentaries like Ravi Patel s Pursuit of Happiness, Chasing Life with Sanjay Gupta and Tiger, reality shows such as House of Ho, animated titles like Keep Your Hands Off Eizouken!,
What have been other influences on your work?
Ray: Bibhuti Bhushan [the author of The Apu Trilogy] influenced me very much. In fact, I knew about village life by reading Pather Panchali. I felt a rapport with him, with the village and his attitude towards it, which is one of the reasons why I wanted to make Pather Panchali in the first place. I was deeply moved by the book.
Satyajit Ray became the first Indian to receive an Honorary Academy Award in 1992.
I have also been moved by Tagore s work, which is not necessarily rural. Of course, our cultural background, our cultural makeup, is a fusion of East and West. This applies to anybody who has been educated in the city in India and who has been exposed to the classics of English literature. After all, our knowledge of the West is deeper than the Westerner s knowledge of our country. We have imbibed Western education. Western music, Western art, Western literature have all been very influential in India.