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Which it doesn't hit because i'm in the way. go. 0w. tittering. egg on face — no, the metaphor is not lost on me, thank you. but after spending a day being a guest slow—mo guy, i have learned this — you don't always need elaborate stunts to make great slow—mo. sometimes, your best prop is right under your nose. blows air through closed lips. laughs. pretty good from what i saw. thank you! laughter. it almost looks as though, like... laughter continues. i've filmed this a few times on a few different people and this one is just really good for some reason.

Immediately, even in slow—mo, and then, you'rejust left with the shape — you're left with a big glob of water. i think the most important thing for shooting slow—mo, especially when you're getting towards 1,000, is you need the right light and you need lots of it. so, for example, undera regular incandescent light bulb orjust like a lamp that you might find at home, chances are you're gonna see the flicker rate of the electrical grid and it looks really unattractive in slow—mo, it's really distracting to see all the lights doing this. yeah. so, shoot outdoors under the sun — the sun ...

An out—of—date egg as it falls all the way down onto the floor. which it doesn't hit because i'm in the way. go. 0w. tittering. egg on face — no, the metaphor is not lost on me, thank you. but after spending a day being a guest slow—mo guy, i have learned this — you don't always need elaborate stunts to make great slow—mo. sometimes, your best prop is right under your nose. blows air through closed lips. laughs. pretty good from what i saw. thank you! laughter. it almost looks as though, like... laughter continues. i've filmed this a few times on a few different people

Yeah. so, shoot outdoors under the sun — the sun doesn't flicker — or get massive lights like i've got, which is the more expensive option. laughs but after spending a day being a guest slow—mo guy, i have learned this — you don't always need elaborate stunts to make great slow—mo. sometimes, your best prop is right under your nose. blows air through closed lips laughs pretty good from what i saw. thank you! laughter it almost looks as though, like... laughter continues i've filmed this a few times on a few different people and this one is just really good for some reason. lara: i am...

Because i'm in the way. go. 0w. tittering egg on face — no, the metaphor is not lost on me, thank you. but after spending a day being a guest slow—mo guy, i have learned this — you don't always need elaborate stunts to make great slow—mo. sometimes, your best prop is right under your nose. blows air through closed lips laughs pretty good from what i saw. thank you! laughter it almost looks as though, like... laughter continues i've filmed this a few times on a few different people and this one is just really good for some reason.