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Each Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we revisit the UK duo’s second album, a groundbreaking avant-garde pop collage from the early years of the AIDS epidemic that grapples with the nature of death.
Readers discuss whether retaining PwC as the government’s advisor is akin to asking the guy who burgled your house to monitor your security cameras.
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“I don’t envy the judges deciding who the winners should be."
Would this put you off even if you had the money?
Donkeys, didgeridoos and Celtic ballads: how creative outlier Kate Bush took it as far as she could on 1982 album The Dreaming.