Echoes and agreements: A photo essay
Echoes and agreements: A photo essay Drawing on the Uffizi’s Hypervisions exhibition “On Being Present” Theophilus Marboah share In Five Ways of Being a Painting, historian William Max Nelson writes: “Like any good aphorism, the short sentence functions as both a part and a whole. At first, it seems to make sense in isolation, yet it calls out for placement within a context that could reveal some fuller meaning.” Top: Vittore Carpaccio, Gli Alabardieri, 1490-1493. Gallerie degli Uffizi, Florence. Su concessione del Ministero per i beni e le attività culturali e per il Tur...