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History of the Sitcom

class, and you get advertisers turning towards black people. so you can see why norman lear created sanford and son. norman lear: i was in las vegas, and the lounge act was, redd foxx. and i came back just delirious with the possibility. lamont: you know what it says in the bible, love thy neighbour. fred: the guy who wrote the bible didn't live in this neighbourhood... if he had, he'd say love thy neighbour but locketh thy window. randall park: red fox, just felt like this comedic force. aramide tinubu: sanford and son is set in the 1970s in watts, and fred is crotchety old man who runs a junkyard with his adult son, lamont, who wants to sort of get rich quick. lamont: there's this woman standing by the curb and she had a terrible voice. lamont: come here, sonny, i wanna show you this thing. fred: yeah, that's the way they talk. lamont: this woman was about 90 years old.

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History of the Sitcom

fred: ain't nothing on earth uglier than a 90 year old white woman. drew carey: he was like a black archie bunker, like old school. soraya: there's a reason why sanford is irascible. sanford: a court is where you come to get justice aint' it? and that's what i'm looking for is justice. soraya: sanford has like real problems with american racism and the ways that it plays out in his life fred: why don't you arrest some white drivers? cop: i do. fred: you do? well, where are they? look at all these niggers in here! tracy morgan: redd foxx was one of the first to say nigger on tv. said it twice that episode. it's real. so we use it as a part of our language. and i don't know if it's right or wrong, i don't get into that. jaleel: sanford and son resonated with me because the actors spoke like black people i knew aunt esther: lamont, you know i'd do anything for you. fred: tell her to have her face fixed.

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History of the Sitcom

beretta smith shomade: black life had not been shown in any kind of fashion. it was important that people were feeling recognized todd bridges: it proved that black shows can be just as successful, as long as people can relate to it. fred: i'm dying! hear that elizabeth, i'm coming to join ya honey. oh! [knock on door] fred: maybe that's elizabeth. ernest lee: with all in the family, sanford and son.... norman lear owned the airwaves tracy: and then there was good times. james: well, let's see i'll pay this one, stall this one, gotta argue about this one, and this one imma put in the funny papers... diana depasquale: shows like good times and sanford and son took a great step forward in that we see more depictions of black families, but those families are also squarely in the working-class. jimmie walker: we were people that work 60 hours a week and

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