Five Black Utahns talk about artworks in 'Black Refractions' that hold personal meaning
Five Black Utahns talk about artworks in âBlack Refractionsâ that hold personal meaning The exhibit at the Utah Museum of Fine Arts is open until April 10. (Marc Bernier | Photo courtesy of Kehinde Wiley, Roberts Projects, American Federation of Arts, and Utah Museum of Fine Arts) Kehinde Wiley, Conspicuous Fraud Series #1 (Eminence), 2001, oil on canvas. The Studio Museum in Harlem; Museum purchase made possible by a gift from Anne Ehrenkranz, 2002.10.14. © Kehinde Wiley. | Updated: 11:12 p.m. As artist Matthew Sketch considers the well-dressed man in the painting âEminenc...