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Three generations of a Ukrainian family sit in a van in the documentary “In the Rearview.” They stare straightforward, staggered by all they’ve left behind. “In the Rearview,” which documents several hundred who took filmmaker Maciek Hamela’s van out of eastern Ukraine in the first month of Russia’s attacks, movingly condenses a mass migration into a four-door flight. “I come from an aristocratic family,” one woman says in the film.

As the Toronto International Film Festival winds down after a week of wall-to-wall premieres, there has been no more fraught turf than the land that families try to eke out a life on, amid geopolitical storms knocking on the front door.

As the Toronto International Film Festival winds down after a week of wall-to-wall premieres, there has been no more fraught turf than the land that families try to eke out a life on, amid geopolitical storms knocking on the front door.

As the Toronto International Film Festival winds down after a week of wall-to-wall premieres, there has been no more fraught turf than the land that families try to eke out a life on, amid geopolitical storms knocking on the front door.

As the Toronto International Film Festival winds down after a week of wall-to-wall premieres, there has been no more fraught turf than the land that families try to eke out a life on, amid geopolitical storms knocking on the front door.