Richard Norris - The Grid
Richard Norris talks about his early break into the music industry, success with The Grid in the 90s, his many collaborations, remixes and unexpected career turns.
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Richard Norris talks about his early break into the music industry, success with The Grid in the 90s, his many collaborations, remixes and unexpected career turns.
The Osigwe Anyiam-Osigwe Foundation says the federal government needs to prioritise the education sector to address the country's security challenges.
Party. and then everybody went to denver. >> there's the basic improv 101 rule of yes, and, whatever comes your way, whatever your improv partner says, you agree to it and build on it. >> someone comes in and says your horse has escaped, you don't say i don't have a horse, you say, my horse is gone. you don't know where that's going to take you. that's a good rule. >> no idea that you were stoned on pot. flying high under the effects of a reefer. >> come on, son, you always were a bit of a wimp. >> i used to be terrified of improv, until you realized you just had to keep talking, and be -- >> ...
A point where this phenomenon called group mind occurs, like a single organism performing at once. when you see it, it is so astonishing, you cannot imagine that they didn't script it. you can't imagine it. >> i'm 35 years old. i am divorced, and i live in a van down by the river. >> the thing about second city that's great when you're just starting out is the amount of flight hours on stage you get. and you get to try stuff out. one of the things when you get to "snl" is that you have to dig in to your trunk, working at second city, you get to make a trunk. >> i think you're looking at someon...
On pot. flying high under the effects of a reefer. >> come on, son, you always were a bit of a wimp. >> i used to be terrified of improv, until you realized you just had to keep talking, and be -- >> and listen. >> and listen. yeah. >> that's why i said the reaction is as important as the action. >> because you're writing it on the spot you're not sure where it's going to go. you're trusting your instincts and your ability as an actor to take it and to formulate it and get the laugh, eventually. >> you go out with something to offer. at the same time, you're willing to let every bit of it go. ...