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Sort of murderous course of the play, but who is explicitly conscious about what is happening. so he's like an observer of his own process of being dehumanised, and he reflects on that consciously at the end of the play. so that extraordinary, large story arc, which is intimate and powerful and devastating, as we see him reflecting on the what—might—have—been of his life, is actually highly amenable material for cinematic treatment, that can get very close to that. just a stone's throw from where joel coen�*s new macbeth recently premiered is the delacorte theatre in central park, whic...

If you pay attention to them, have a real meaning that they convey, even if it's only reaching the audience subliminally. sincejoel coen�*s the tragedy of macbeth has onlyjust premiered amidst the hurly—burly of the new york film festival, it's not yet known if it will be received as the definitive english—language version that cinema has thus far lacked — although some scholars think we're better off without one. with these stories that we have like macbeth, that belong to all of us, it's wonderful seeing how each generation will engage with it a fresh take but also one that hears and...

I think i really understood the drama of it all, and over the years, lines from that play have stayed with me, "vaulting ambition that o'erleaps itself and falls on the other," and of course lady macbeth uttering "out, damn spot." so i was very pleased when i heard that this year the new york film festival was having as its opening night film a fresh interpretation of macbeth called the tragedy of macbeth, starring denzel washington and frances mcdormand. the world premiere of this new macbeth definitely created excitement. the film was shot in black and white on a los angeles soundstage. it a...

Thriller, titane, this year's big winner at the cannes film festival, came to new york with its director and star. i told myself, pretend you're doing a little show. this is a weird show, butjust have fun with it. there were many festival films with great performances, a real stand—out, benedict cumberbatch in the power of the dog. and some great documentaries, one using animation to chronicle the plight of an afghan refugee fleeing the taliban 25 years ago. and the other, a portrait of the influential new york rock band formed in the 1960s, the velvet underground. like almost every british ...

To modern audiences. and instead you get, you know, a film vocabulary that makes a lot of sense, and kurosawa is of course a very controlling director, and some of the things he does in the movie just with framing, the angles of the shots, juxtapositions of characters and the sort of triangles that he sets up, they almost always, if you pay attention to them, have a real meaning that they convey, even if it's only reaching the audience subliminally. sincejoel coen�*s the tragedy of macbeth has onlyjust premiered amidst the hurly—burly of the new york film festival, it's not yet known if it...