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The god father was made in a very classical, almost shakespearean style. It was going to be about succession. Like a king who had three sons, and none of the sons had all his talents. [ speaking nonenglish ] michael could be ruthless when he had to be ruthless, but he could be friendly. Nord, he was a complex hero. In other words, he was a complex hero. Were here in the napa valley on a rainy day, to interview Francis Ford Coppola. Now, hes one of the greatest Movie Directors of alltime, without any question. If you google the best movies of all time, the greatest movies of all time, the godfa...

"the god father" was made in a very classical, almost shakespearean style. it was going to be about succession. like a king who had three sons, and none of the sons had all his talents. [ speaking non-english ] michael could be ruthless when he had to be ruthless, but he could be friendly. nord, he was a complex hero. -- in other words, he was a complex hero. ♪ ♪ >> we're here in the napa valley on a rainy day, to interview francis ford coppola. now, he's one of the greatest movie directors of all-time, without any question. if you google the best movies of all time, the greatest...

he had to be ruthless, but he could be friendly. in other words, he was a complex hero. ♪ >> we're here in the nappa vally on a rainy day to interview francis ford coppola. now, he's one of greatest movie directors of all-time without any question. if you google the best movies of all-time, the greatest movies of all-time, "the godfather" is number one usually. >> i'm going to make him an offer he can't refuse. >> but "the godfather 2" is often on that list of top ten, and so is "apocalypse now." so of the 10, 15 greatest movies of all-time this man has made three of them. i'm real...

Dissecting what was in the thing. so i thought i would ask myself four or five questions about what i was going to cover. what do you want to say in the briefest few words as to why you're doing it? as a director, i knew if i got that, maybe i didn't get great imagery or tone, but if you got that, you got it. >> so that horse's head scene, in the book, the horse's head is not in the bed, is it? >> here's the book, no. >> what made you put it on the bed? >> i just thought it would be more interesting if he felt something in his bed and he opened the shoot and there was blood. always you get mor...

And sculpt a mauvy by first knowing what's in them. and before i know how to do it, i was going to begin by dissecting what was in the thing. and what i did was i thought i would ask myself four or five questions about what i was going to encounter. what do you want to say in the briefest few words as to why you're doing it. as a director i knew if i got that, maybe i didn't get great imagery and tone, maybe i didn't get this. but if you got that, you got it. >> that horse's head scene, in the book the horse's head is not in the bed, is it? >> here's the book. it's not in the -- >> it's sort o...