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- you burned a holee in my papants. - ooh! - and d we're gonnnna be pals, riright? - ooh! - there's one guy who's out of control and one guy trying to sasay, "calalm down." - do youou ever disasagree on materiaial? - no.. - yeah.. - the audience wants to feel that they're loose and d having funun. - and d we are really y able to f fake fun anand loosenes. - yeahah. [sweeping orchchestral music] ♪ ♪ [quirky music] - hey,y, how do yoyou-- - - there's a a bomb! - alall right, n now-- - - i actuallyly grew up as a k kid on comemedy teams. that's the way i learned about comedy, was co...

who work together there is nothing but watch. >> chemistry is the main special sauce. >> our timing was perfect for each other. >> you burn a hole in my bed. >> and we are going to be pals, right? >> there is one guy, who is out of control, and one guy trying to say come down. >> you ever disagree on material? >> no. yeah. >> the audience has to feel like they are loose and having fun. >> we are really able to fake fun and looseness. >> yeah. i actually grew up as a kid on comedy teams. that's how i learned about comedy, on comedy teams. >> hey, hey, michelle pfeiffer. >> comedy team...

From the table. >> when i am close up i see it. >> weber and fields gave us a lot of what we feel like are the identifiable marks of the comedy team. they invented slapstick, ethnic jokes, high in the face. >> pretty much anybody doing comedy and vaudeville at the turn-of-the-century, more or less, was in 18. the marx brothers's uncle was in 18. al sheen, gallagher and sheen, bert williams, and george walker were the first african-american performers to receive headline status, and there was smith and dale, notoriously the veterans of vaudeville. >> for goodness sake, if you should die, what w...

>> and now, back to the play. >> george, can we take five minutes? my stomach's a little -- >> no, i'm good. >> i see an absolute parallel between what they were doing in 2017 on broadway -- >> enjoy the play. >> and what weber and fields created in the early 1900s, the basic concept of the comedy team. >> hey, keep a big cc from the paper. >> weber and fields gave us a lot of what we think of as the identifiable marks of a comedy team. they invented slapstick, ethnic jokes, and pie in the face. >> pretty much anybody doing comedy in vaudeville at the turn of the century more or less was in a ...

Williams and george walker were the first african-american performers to receive headline status. and there was smith and dale who were notoriously the villains of vaudeville. >> if you should die, what would your wife bury you with? >> with pleasure. >> many of them were canny enough to realize that radio not only opened a new door career-wise but could become a major vehicle for their careers. >> say hello to everybody. >> hello, everybody. >> try again. >> what george and gracie did was not unique. the character of the dizzy dame as they used to call her was a trope, but they just did bette...