what actually happens to my physical remains is of zero interest to me. i don t want anybody seeing my body. i don t want anybody i don t want a party. reported dead. unless they can provide entertainment value in a perverse or subversive way. i mean, if you could throw me into a wood chirp, spray me into har rod s in the middle of the rush hour, that would be pretty epic. i wouldn t being mind being remembered in that way. one, two, three four five six with the radio on i m in love with massachusetts and the neon when it s cold outside and the highway when it s late at night with the radio on what the [ muted ] am i doing here? i shall explain. one minute i was standing next though a deep fryer. the next, i was watching the sunset over the sahara. i realize that one thing led directly to the other. had i not taken a dead-end dish washing job, i would not have become a cook. had i not become a cook, i would never have become a chef. had i not bec
always going to figure out a way to do something that couldn t be done. everyone gets everything he wants. i wanted to see the congo. but for my sins they let me. this is a place i read about as a boy. in heart of darkness conrad described it as a twisting neighboring with its head in the atlantic ocean and tail buried deep in africa s heart. congo was a fulfillment of an enormous dream in our little fantasy we were having our apocalypse now moment. we rented a trust me vestal. and i shall dub thee, the captain willard. tony was finding ways to push himself towards his not just understanding of the world but understanding of himself. are you an assassin? i m a soldier. it s like which character is he in that film?
everyone gets everything he wants. i wanted to see the congo. but for my sins they let me. this is a place i read about as a boy. in heart of darkness conrad described it as a twisting neighboring with its head in the atlantic ocean and tail buried deep in africa s heart. congo was a fulfillment of an enormous dream in our little fantasy we were having our apocalypse now moment. we rented a trust me vestal. and i shall dub thee, the captain willard. tony was finding ways to push himself towards his not just understanding of the world but understanding of himself. are you an assassin? i m a soldier. it s like which character is he in that film? when you get really deep into
assuming it couldn t be done was a big part of it and we were always going to figure out a way to do something that couldn t be done. everyone gets everything he wants. i wanted to see the congo. but for my sins they let me. this is a place i read about as a boy. in heart of darkness conrad described it as a twisting neighboring with its head in the atlantic ocean and tail buried deep in africa s heart. congo was a fulfillment of an enormous dream in our little fantasy we were having our apocalypse now moment. we rented a trust me vestal. and i shall dub thee, the captain willard. tony was finding ways to push himself towards his not just understanding of the world but understanding of himself.
in heart of darkness conrad writes about the greed of the belgian colonizers. they grab what they could get for the sake of what was to be got. it was just robbery with violence, aggravated murder on a great scale. after 75 years the congolese had had enough. independents came quickly. when the new country managed to inaugurate their first democratically elected leader, the cia and the british working through the belgians had him killed. we helped to install this miserable bastard in his place, joseph mubutu who stole millions