"through sad fields of lettuce on somebody's farm": Alexandra Oliver's Hail, the Invisible Watchman
If Dorothy Parker's poetry was adapted as a cinematic thriller, we would have a hybrid screenplay already foreshadowed in the work of Alexandra Oliver. Her rhyme schemes flutter formally and fiercely in and out of themselves with, as some readers have noted, “terrifyingly clever, dazzlingly skilled, and chillingly accurate” (Molly…
Source: arcpoetry.ca
