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Her, and that's how i met her. >> you also met diana ross who lived in your naked which think you were 12. >> four doors down the street she lived. >> when did you know she had a special gift? >> before we even became the miracles. before we even started making records we were called the matadors and would be at my house rehearsing and she would sit on the steps and sing while we were singing, so she -- and i knew if she ever got a hit record she would be amazing because she got the voice. when you hear that voice, you know that's diana, and it was that bay when she was 8 or 9. >> it's a voice...

And i knew that if she ever got a hit record, it would be amazing. she has that voice. you hear that voice, you know that's diana. and it was that way when she was 8 or 9. >> it's a voice, a gift. >> yes. >> you have said that you resent the idea of being called an african-american. that you are a black american. explain. >> i think when they call black people who were born and raised for generations in this country, if you accept the handle of african american, that says that you don't accept being an american american. you don't accept being born in chicago, in new york or detroit or whereve...

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Are. many years ago you needed to study music theory. you needed to go to a big studio. now kids are making huge hit records in the bedrooms on their la laptop. >> you're saying it's so easy for new artists to make a hit record, but in some instances, they could be a competitor to you. >> that's not the way i look at it. i don't want to fight it. i want to embrace it, what makes me who i am is the creative process. and the machine will never have a taste the way a human can have the taste. >> do you think other artists, other people in the music industry feel the way you feel about this? >> i ...