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Stuff. let me go back to the kemp-perdue primary. to me they will inevitably converge because perdue and heiss have the same basically i assume campaign structure and all of that. >> i know in the past before the senate race in january and even thereafter a lot of republicans were segregating kemp from raffensperger. maybe the two are joined at the hip because raffensperger is so much more no nonsense, kemp kind of ducked it thinking, hey, maybe i can escape the wrath of trump. he was wrong. so we'll see how that plays out. >> there are two other candidates in this race that i'm told, if you w...

And we need to do it louder, and we need to do it more spectacular, we need to have more stars, and as a result, it's kind of lost some of the oddball charm of the original. and, you know, ifound myself watching it thinking... i was surprised by how much i liked the original because the idea didn't sound great at all, because it's garthjennings, who's a very interesting film—maker and has made good stuff like son of rambow. but in the case of this, it's like, when you said "yeah, no wonder we have another one", it did feel like a numbers game — "no wonder we have another one", it did feel ...

To the music, and he was told not to do that, and so he felt very frustrated being told you can't do that, because he knew in his heart that's what he felt, and that's what they did in the dance world and why couldn't he do that as a skater? and i think this actually opened things up a lot for other male skaters to be more expressive. he moved in a way that i'd never seen another male figure skater move, and eventually i learned that he was really one of the first male figure skaters to express himself that way, to move that way, to have that refined elegance on the ice. it was unlike anything...

Of stuff, lots of star names, lots of spectacular stuff on screen, i mean, it's a digimation, it's from illumination — the people that gave us the minions movies. the thing is, the first film had a weirdly, kind of, old—fashioned, you know, judy garland—mickey rooney "let's do the show in a barn" kind of feel, and that's what i liked about it. this feels like, we've had a huge success, we need to do it bigger, and we need to do it louder, and we need to do it more spectacular, we need to have more stars, and as a result, it's kind of lost some of the oddball charm of the original. and, y...

Couldn't accept it from a young man, whereas they could from a child. he would love to use his arms and express himself to the music, and he was told not to do that. and so he felt very frustrated being told you can't do that, because he knew in his heart that's what he felt, and that's what they did in the dance world and why couldn't he do that as a skater? and i think this actually opened things up a lot for other male skaters to be more expressive. he moved in a way that i'd never seen anotherl male figure skater move, and eventually i learned i that he was really one| of the first male fi...