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For class the gift of having leonard bernstein come to us from us and said ever since i can remember through the television it was a great inspiration that's the one two three method it's like a three stage rocket like the countdown in a race on your mark get set go or in target practice ready aim fire or the same thing is true in mozart's hofner symphony it goes ready. to fire. i do remember sitting in front of the t.v. and being told to watch this this is important and it was important in the fifty's in america culture was much more important than it is today and there was this idea that the...

Copeland's music sounds like you know what an american symphony should sound like somehow overnight dish i was so jealous of his desire to write music when i was found it terrible when he threatened to limit himself to me the composition of the leg and completing. this cause he can mark and say his great characteristic and hallmark is that when you hear the music you know it's bernstein is the. it's not easy to be so unmistakable as a composer but bernstein always achieved this in my. own eyes this is what i like best is the turkey trot in divertimento. we composed it

Those early encounters with simple betrothal as in so many other ways. because metropolis was gay. i was an outsider he was greek he was never really sceptic of america he understood mahler before most other conductors in america he made the first recording of mother's first symphony in minneapolis not a forty one he was phenomenally energetic and with many of. the fanaticism on the podium metropolis would jump up and down he was a very tall man and then he was short and metropolis was really the first gymnastic conductor. was an intellectual who read in five languages and loves nothing more t...