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So now — i have to say, i'm in the minority here. most people i've spoken to think this is great. and i'm a big pedro almodovarfan, i love the short film that he made, i loved the short film that he made, the human voice, just recently. itjust felt to me like this is not one of his best works. it has some great elements in it, and it has some things in it that i will cherish, but it did feel like two films and, like i said, not so much parallel as kind of tangential. how fascinating. he doesn't usually do politics, does he? he has done political comedy before, but it's never really landed fo...

The works we perform, they are sometimes much more exciting than they seem in this ritual, what you said. for example, if i may take an example, beethoven's choral symphony, which everybody knows. when beethoven composed it, he probably thought that the last movement, when the human voice enters a symphony, it's a great surprise, because we have three movements with an orchestra playing, in the last movement people start to sing. it's a revolution. now, in our normal ritual, it's not a revolution, because what do you see? you see an orchestra and you see a chorus waiting there for their entry....

Do you sometimes wish that classical music was a little less rigid, a little less formal, because you've talked about the dangers of the form becoming too tied to frozen rituals and to an older audience. and ijust wonder whether in the course of your career you believe you've been able to change that a little bit. the works we perform, they are sometimes much more exciting than they seem in this ritual, what you said. for example, if i may take an example, beethoven's choral symphony, which everybody knows. when beethoven composed it, he probably thought that the last movement, when the human ...

To change that a little bit. the works we perform, they are sometimes much more exciting than they seem in this ritual, what you said. for example, if i may take an example, beethoven's choral symphony, which everybody knows. when beethoven composed it, he probably thought that the last movement, when the human voice enters a symphony, it's a great surprise, because we have three movements with an orchestra playing, in the last movement people start to sing. it's a revolution. now, in our normal ritual, it's not a revolution, because what do you see? you see an orchestra and you see a chorus w...

Take an example, beethoven's choral symphony, which everybody knows. when beethoven composed it, he probably thought that the last movement, when the human voice enters a symphony, it's a great surprise, because we have three movements with an orchestra playing, in the last movement people start to sing. it's a revolution. now, in our normal ritual, it's not a revolution, because what do you see? you see an orchestra and you see a chorus waiting there for their entry. where is the unpredictability? where is the surprise? so, i think sometimes the ritual doesn't fit