The week in theatre: Straight Line Crazy; The Human Voice – review
Ralph Fiennes is firing on all cylinders in David Hare’s new play about a New York highway builder; and Ruth Wilson is beguiling in an unsubtle staging of Cocteau’s monologue
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Ralph Fiennes is firing on all cylinders in David Hare’s new play about a New York highway builder; and Ruth Wilson is beguiling in an unsubtle staging of Cocteau’s monologue
Blood and passion, lipstick and tomatoes. As Cries and Whispers returns to cinemas for its 50th anniversary, we round up some of cinema’s most memorable uses of the colour red.
PATRICK MARMION: Terrific as Ralph Fiennes is in David Hare's new play about New York's 20th-century town planner Robert Moses, he's matched by a blistering turn from Danny Webb.
The actor shares her views on marriage and why she chose to freeze her eggs in her 30s.
Despite some bizarre direction, Wilson is controlled and nuanced, giving a convincing performance that could so easily have tipped into melodrama.