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that s it, i m off, and walked off the set there and then, so we had to think, how do we how do we manage that? you know, so. how did you? yeah, we called the writers in and rewrote the next script, and the next script said, where s bobby, sheila? you won t believe this he s gone to gdansk to support solidarity. brilliant! i love it! it s inspired. charles, you were nodding there. what were you about to say? well, i was slightly going to take issue with daniel, actually, because. watch out, daniel! well, no, because daniel said, you know, better to be blown up or something awful like that, rather than getting in a car. from an actor s point of view, there s no special way of being written out of anything. itjust means they stop being paid. to the pub and never seen again, the cheques will not be there the following month if you re not recording. ....
Because of the length of time, a0 episodes have to be rewritten, you know, so 20 have to be reshot, that kind of thing. but, you know, generally, you often give them a good thing. unless they transgress, you know? well, the exact one we had is when ricky tomlinson, who played bobby grant, we had a falling out about the way the storyline was going and hejust said, that s it, i m off, and walked off the set there and then, so we had to think, how do we manage that? you know, so. how did you? yeah, we called the writers in and rewrote the next script, and the next script said, where s bobby, sheila? you won t believe this he s gone to gdansk to support solidarity. brilliant! i love it! it s inspired. charles, you were nodding there. what were you about to say? well, i was slightly going to take issue with daniel, actually, because. watch out, daniel! well, no, because daniel said, you know, better to be blown up ....
But, you know, generally, you often get them a good thing. crosstalk yeah, sorry. unless they transgress, you know? well, the exact one we had is when ricky tomlinson, who played bobby grant, we had a falling out about the way the storyline was going and hejust said, that s it, i m off, and walked off the set there and then, so we had to think, how do we how do we manage that? you know, so. how did you? yeah, we called the writers in and rewrote the next script, and the next script said, where s bobby, sheila? you won t believe this he s gone to gdansk to support solidarity. brilliant! i love it! it s inspired. charles, you were nodding there. what were you about to say? well, i was slightly going to take issue with daniel, actually, because. watch out, daniel! well, no, because daniel said, you know, better to be blown up or something awful like that, rather than getting in a car. from an actor s point of view, there s no special way ....
Are, not the actors themselves? do they get time to look for a newjob? it really depends on your schedule, you know? i mean, we used to give our actors 12 month contracts and then let them know three months ahead at the end of that 12 month contract whether it would come, but probably a little bit earlier, because the long term storyline planning conference would have had the writing on the wall anyway. sometimes things happen and you just have to take somebody out very, very quickly, you know? i ve been in situations like that when. you say, bite the bullet . sometimes i ve had to put the bullets out, you know, so. and then you have to. because the length of time, a0 episodes have to be rewritten, you know, so 20 have to be reshot, that kind of thing. but, you know, generally, you often get them a good thing. crosstalk yeah, sorry. unless they transgress, you know? well, the exact one we had is when ricky tomlinson, who played bobby grant, we had a falling out about the way the story ....
You know? well, the exact one we had is when ricky tomlinson, who played bobby grant, we had a falling out about the way the storyline was going and hejust said, that s it, i m off, and walked off the set there and then, so we had to think, how do we how do we manage that? you know, so. how did you? yeah, we called the writers in and rewrote the next script, and the next script said, where s bobby, sheila? you won t believe this he s gone to gdansk to support solidarity. brilliant! i love it! it s inspired. charles, you were nodding there. what were you about to say? well, i was slightly going to take issue with daniel, actually, because. watch out, daniel! well, no, because daniel said, you know, better to be blown up or something awful like that, rather than getting in a car. from an actor s point of view, there s no special way of being written out of anything. itjust means they stop being paid. ....