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director to realise their creative vision. just how sensitive _ creative vision. just how sensitive a _ creative vision. just how sensitive a topic- creative vision. just how sensitive a topic sex i creative vision. just how i sensitive a topic sex scenes are is illustrated by frankie zeffirelli's1968 are is illustrated by frankie zeffirelli's 1968 film romeo and juliet. i zeffirelli's 1968 film romeo and juliet-— zeffirelli's 1968 film romeo and juliet. zeffirelli's 1968 film romeo andjuliet. . ., ., and juliet. i have more care to stay than _ and juliet. i have more care to stay than will _ and juliet. i have more care to stay than will to _ and juliet. i have more care to stay than will to go. _ and juliet. i have more care to stay than will to go. the i stay than will to go. the teenage _ stay than will to go. the teenage lovers, - stay than will to go. the teenage lovers, 15 i stay than will to go. the teenage lovers, 15 and l stay than will to go. the | teenage lovers, 15 and 16 respectively at the time of filming, pursuing paramount pictures. they allege they were coerced into doing the scene mood after they had originally agreed to wear flesh coloured bodysuits. they claim that zeffirelli told them the film would fail if they did not perform the scene mood. paramount has not commented on the case. —— nude/. has the industry changed beyond all recognition over the last few years? recognition over the last few ears? �* , ., recognition over the last few ears? , , years? it's a completely different _ years? it's a completely different industry i years? it's a completely different industry now. | years? it's a completely different industry now. i think, you know, that it was in the 60s or 80s or even the 90s or early 2000. there is a lot of behaviour that was allowed to happen and people were just looking the other way, it was considered normal. intimacy co—ordination is the byproduct