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Daily Times July 8, 2021 In my humble assessment, Dilip Kumar’s acting career spans three phases. First span is when he was young hero in Black and White days. Second phase was when he was taken as a hero but by then he had converted from youthful looks to mature looks but his roles mostly remained romantic ones. Films were made in colour by then. Third phase was when he did some character roles. I constructed my earlier article on his personal struggle and movies up to 1956; Jugnu, Footpath, Andaz, Tarana, ‘Sangdil’ etc. Earlier he acted in Jwar Bhaata directed by Amiya Chakarvarti, Pr...

Written by: Rakesh Anand Bakshi

Read more about Frames per Second: The burden of the river on Business Standard. Raj Kapoor's last film, Ram Teri Ganga Maili, conflated the river's pollution with the corruption of people, and is still a poignant metaphor for our times

The first impression of “Suraj Pe Mangal Bhari” is that it is like a comic strip full of wacky characters, including the antagonist, himself an injured party who creates havoc in other people’s lives. The second, even more prominent, aspect is that there are lots of unexpected one-liners and screwball humor, enhancing seemingly routine situations or turning them on their head. All these enhance the film’s family entertainment quotient. And since we are in the censor zone (“SPMB” was a theatre release), there are no expletives as well, not even the “innocuous...