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This room here. for the past ten years, bill griffith has been curator at william faulkner s estate. he added this room after he won the nobel prize. on the wall here is an outline of one of his novels. that was his greatest book. faulkner thought this was his masterpiece. jack pendarvis is the author of your body is changing, the mysterious secret of the valuable treasure, and awesome as well as a staff writer for the game-changing animated series adventure time, all works of which i am a huge fan. he wrote right on the wall? he just wrote on it. it s his man-cave. it s his version. he said that houses in mississippi who have a family business have one room dedicated to the family business and this family s business is writing. from as early as 1919 through the early 60s, faulkner wrote extensively about the post-civil war south. he was the first author to do so, at a time when most writers were writing about anything but. ....
Faulkner wrote such american classics as the sound and the fury, as i lay dying, light in august, and absalom, absalom! . and many of his works took place in a fictional county, a place very much like this place, in mississippi. bill griffith: this is where faulkner started his writing career in this room, here. anthony: for the past ten years, bill griffith has been curator at william faulkner s estate. bill griffith: he added this room on after he won the nobel prize. and on the wall here is an outline of one of his novels. jack pendarvis: yeah, that was his greatest book. bill griffith: yeah, faulkner thought this was his masterpiece. anthony: jack pendarvis is the author of your body is changing, the mysterious secret of valuable treasure, and awesome, as well as staff writer for a game-changing animated series adventure time all works of which i am a huge fan. so he wrote right right on the wall. bill griffith: he just wrote on it. anthony: it s ....
I mean, there was a lot going on. bill griffith: he s a middle-of-the-road democrat. that s what he said. he said you have to bring black education up with white education. and since the state of mississippi will not invest in black education, it s up to its citizens to do so. he said that segregation wasn t about being right or wrong, he said any sane, sober southerner knows that it s wrong. it s about wanting to change or not. but people don t want to give up power. fear is still alive and well in mississippi. i think racism is one of those great things in the world that you ll never solve and that s why faulkner wrote about it. anthony: writers, as i know from looking in my own dark heart, are generally terrible people. put ten of them together and it s like putting your head in a bag full of snakes. i meet a bunch of them above in city grocery, john currence s place on the square. there s the brilliant author tom franklin and his wife, the poet beth ann fennelly. grisham writer ....
I mean, what are we fighting about? the stakes are so low, why would you be a jerk about it. anthony: if mississippi were a country and there were a national hero, uh, dead or alive, by consensus, statewide, who would who would the statue be of? wright thompson: elvis. anthony: really? wouldn t be b.b. king? wright thompson: it should be. it should be b.b. king. anthony: i mean chris offutt: yeah. but it would be elvis. anthony: but it would be elvis. wright thompson: well, i mean, mississippi is the joke is that it s not a state, it s a club. that it s so small that everybody knows everybody. ace atkins: in the middle of mississippi, oxford is an oasis of thought, and art, and literature, and feeling, and sentiment and everything. they call this place the velvet ditch. anthony: why the velvet ditch? jack pendarvis: i guess you just roll in and it s pretty frigging comfortable, and you don t care much about getting out. right? right? am i right? anthony: w ....
Poet chiyuma elliott. wright thompson is a senior writer for espn. fellow writer on the series treme , chris offutt. novelist ace atkins. poet derek harriell is originally from milwaukee. crime novelist billy boyle from brooklyn. downstairs, currence s restaurant city grocery cranks out many delicious things. the man known as big bad chef, aka johnny snack , is sending some of those goodies upstairs as there s nothing professional writers like more than free food. usually you put five writers in a room it s a ugly hell broth of envy, hatred. writer: we all hate tommy. writer 2: no, that goes without saying. tom: even me, i hate me the worst of all. jack pendarvis: around here anyway, the writers are really supportive of each other. for writers to argue would be like arguing over a piece of dirt. ....