Review: 'Berlusconi: A New Musical' Is Hammy and Hamstrung
The show, in London, skewers its protagonist through maximalist kitsch, but it comes with a tone of finger-wagging moralism that’s no fun.
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The show, in London, skewers its protagonist through maximalist kitsch, but it comes with a tone of finger-wagging moralism that’s no fun.
A reprehensible man treats women badly, but the political magic is left entirely unexplored. Theatre review by Gary Naylor
This aimless musical is more a minestrone of ideas than a bunga-bunga romp
Sometimes, for all its flaws, a musical is still worth seeing. You could spend a couple of hours mulling over the weaknesses in Ricky Simmonds and Simon Vaughan’s storytelling: it’s not so much a portrait of Italy’s man of destiny as a galloping fever dream — Evita meets Jerry Springer: The Opera.
It’s a nice idea but this disconnected show about the former Italian PM makes some bizarre choices and lacks satirical bite