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For the better part of an hour, Kelli O’Hara, together with her longtime piano accompanist and arranger Dan Lipton, graciously entertained a capacity audience in the 1,200-seat Ozawa Hall and
The show is a journey that tracks the rise and near collapse of a legendary Rock & Roll Hall of Fame quartet from the 1960s and '70s, and its still
Take a little bit of Mel Brooks; a touch of Monty Python; a big bow to “The 39 Steps,” and a whole lot of Charles Ludlam, and you have some
Theater critic Jeffrey Borak calls "An Iliad" at Shakespeare & Company "a testament to the resourcefulness of theater as a storytelling medium."
Words matter. In Mark O’Rowe’s “The Approach," which opened over the weekend in a skillfully acted, if emotionally uninvolving, production at Shakespeare & Company’s Elayne P. Bernstein Theatre, unspoken words