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Definitely kicking. >> i picked up jeff from the floor. i pick him up, and i set him in the chair, and i told him to hold on, hold on. and i told the lady, we have to rush, we have to rush. let's move it, let's move it. >> actually, when carlos picked me up and threw me into the wheelchair, all right, maybe i am going to make it, but before that, no way. i thought i was done. >> as he was pushing jeff out, jeff's lower body was obscured, and then we saw the herald photographer standing next to me, he just started, you know, screaming, oh, god, and he turned his head. i looked down to make sure...

Was all these bodies in the ground and missing limbs, broken limbs, people crying. >> once i got up above, i just saw just people everywhere. that's when i realized how bad it was, that you know, i started seeing people with pretty horrific injuries. i recognized carlos orlando immediately because he's very active locally. you know? i saw the hat. >> i went straight down to the ground to help jeff, but immediately after that i look at his legs. i asked for help. he had somebody help. >> when he came to help me, he was crazy. his adrenaline was definitely, definitely kicking. >> i pick up jeff ...

>> to me there's something inherently powerful about the still image. you know, it's a moment frozen in time. it's that memory that you can hold on to. you know? it doesn't just pass. it's right there for you to see for, you know, forever. >> is there a story behind that photo, do you think? >> yeah. i mean, jeff bauman survived. you know? and then he regained consciousness and pointed out the suspect. and it's just that little glimmer of hope that, you know, this guy made it. thanks to all these other people who rushed to help him. it's proof that, you know, love for your fellow man and compa...

I pick him up, and i sit him in the chair and i told him to hold on, hold on. and i told the lady, we have to rush. we have to rush. let's move it. let's move it. >> actually, when carlos picked me up and threw me into the wheelchair then i was like, all right, maybe i am going to make it. but before that, no way. i thought i was done. >> as he was pushing jeff out, jeff's lower body was obscured. and then we saw the "herald" photographer standing next to me was -- he just started, you know, screaming, you know, "oh god." he turned. he turned his head. i looked down to make sure he was okay, a...

Photographer standing next to me was -- he just started, you know, screaming, you know, "oh god." he turned. he turned his head. i looked down to make sure he was okay, and then i kept on shooting. >> i ended up taking him all the way to the ambulance, which i pick him up again and i put him in the bed. and that's the last time i saw jeff. >> to me there's something inherently powerful about the still image. you know, it's a moment frozen in time. it's that memory that you can hold on to. you know? it doesn't just pass. it's right there for you to see for, you know, forever. >> is there a stor...