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Last modified on Sun 13 Dec 2020 09.31 EST
An anxious university student meets her professor about her grades. It takes place in his room and ends up in a college complaint for his allegedly inappropriate behaviour. He believes he has done no wrong. She feels violated and seeks redress.
David Mamet’s combative two-hander might have reflected the issues and anxieties of the day at its premiere in 1992, but it is startling to see this revival following Harvey Weinstein’s watershed rape conviction. Could Mamet have written a #MeToo play long before #MeToo became a movement?
Not quite, though this brutal and brilliant production, directed by Lucy Bailey, gains new resonance in the light of all that has come to pass and perhaps says things now that Mamet did not mean it to say. There have been many recent powerful stories about sexual abuse and consent, from Cat Person to I May Destroy You. Maybe it is within the framework of these dramas that we hear current issu ....

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