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Kathryn Bigelow’s underappreciated “Strange Days” features a line that goes something like “The issue isn’t whether you’re paranoid. The issue is whether you’re paranoid enough.” Although that film is set in 1999, it’s an aphorism that would work equally well in Stéphan Castang’s fun, violent, high-concept “Vincent Must Die,” as a punchy summation of post-pandemic …
Karim Leklou is a docile everyman whom everyone suddenly wants to kill in Stéphan Castang's propulsively enjoyable genre pile-up, "Vincent Must Die."
20/05/2023 - CANNES 2023: The French filmmaker sheds light on his highly original first feature film revolving around a man who suddenly falls victim to incomprehensible violence
19/05/2023 - CANNES 2023: Stéphan Castang casts a brilliant Karim Leklou at the intersection of genres, amidst a paranoia-fuelled storm reminiscent of a survival movie