The Last Picture Show: Goodbye, Dragon Inn Is Elusive and Moving
Tweet Share Tsai Ming-liang, more than any other contemporary director, understands water. Dripping, pooling, cascading from the skies, hurtling curbside down every street, measuring time as surely as a clock or the celluloid pulled through a projector does. Taipei, Taiwanâs Fu-Ho Grand theater is a shelter from the downpour in the way that humanity has always sought a dry place to just hang out and be dry in â but weâve complicated the scenario with our art and obtrusive instincts and with candies and corn and, because this is a film from the Aughts, cigarettes...
Source: nashvillescene.com