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Joseph Beuys: Great art built on even greater lies


Joseph Beuys: Great art built on even greater lies
Joseph Beuys was one of the highest-profile artists of post-war Germany. On the centenary of Beuys’ birth, the author of a new biography reveals his Nazi connections and the boost he received from Swiss art publishers and curators.
This content was published on May 12, 2021 - 09:00
May 12, 2021 - 09:00
Eduardo Simantob
Born in São Paulo, Brazil, editor at the Portuguese Dept. and responsible for swissinfo.ch Culture beat. Degrees in Film and Business & Economics, worked at Folha de S. Paulo, one of Brazil’s leading dailies, before moving to Switzerland in 2000 as international correspondent for various Brazilian media. Based in Zurich, Simantob worked with print and digital media, international co-productions of documentary films, visual arts (3.a Bienal da Bahia; Johann Jacobs Museum/Zurique), and was guest lecturer on Transmedia Storytelling at the Lucerne University of Applied Sciences and Arts (HSLU � ....

Harald Szeemann , Karl Fastabend , Dieter Koepplin , Andreas Maercker , Joseph Beuys , Hans Peter Riegel , Dieter Roth , Daniel Spoerri , Benjamin Buchloh , Saint Sebastian , German Green Party , Zurich Based Hans Peter Riegel , Hitler Youth , Peter Riegel , National Socialist , Der Spiegel , Beuy Swiss , Culture General , Plastic Art , Environmental Politics , ஜோசப் பேயுஸ் , ஹான்ஸ் பீட்டர் றீேகேல் , டயட்டர் ரோத் , துறவி செபாஸ்டியன் , ஜெர்மன் பச்சை கட்சி , ஹிட்லர் இளைஞர்கள் ,