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paul caruana galizia, welcome to hardtalk. thank you so much for having me. it is a great pleasure to have you here and, indeed, also a pleasure to read your book. you ve just published it a death in malta: an assassination and a family s quest forjustice, you call it. you ve worked on this book for a long time. it is six years since your mother was murdered. working on the book, do you feel you have come to understand her in a new way? a different way? yes. so the funny thing about the book was, i thought writing about her murder would be the very difficult thing, you know, for all the obvious and gruesome reasons. but in the end, what proved the hardest was learning about her life before the murder. in fact, before my brothers and i were born, so what made her a journalist, the kind of country she grew up in. and that was all new to me. and it made, for personal reasons, the book its own reward. and it was only once i learned about her early years that i understood ....
become the inspiration for a continued struggle forjustice and accountability. forjustice and accountability a struggle now led by her three sons, one of whom, paul caruana galizia, is my guest today. what are the lessons of this tragic death in malta? paul caruana galizia, welcome to hardtalk. thank you so much for having me. it is a great pleasure to have you here and, indeed, also a pleasure to read your book. you ve just published it a death in malta: an assassination and a family s quest forjustice, you call it. you ve worked on this book for a long time. it is six years since your mother was murdered. working on the book, do you feel you have come to understand her in a new way? a different way? yes. so, the funny thing about the book was, i thought writing about her murder would be the very difficult thing, you know, for all the obvious and gruesome reasons. but in the end, what proved the hardest was learning about her life before the murder. in fact, before ....
to understand her in a new way? a different way? yes. so the funny thing about the book was, i thought writing about her murder would be the very difficult thing, you know, for all the obvious and gruesome reasons. but in the end, what proved the hardest was learning about her life before the murder. in fact, before my brothers and i were born, so what made her a journalist, the kind of country she grew up in. and that was all new to me. and it made, for personal reasons, the book its own reward. and it was only once i learned about her early years that i understood why she did the kind ofjournalism she did, and what drove her. had she been somewhat reticent about it in life? i mean, by the time she was murdered, you were in your late 20s. but ijust wonder how much you had talked to her about that really rather extraordinary decision she took as a very young woman, to get into writing and then into journalism. never, i m embarrassed to say. and i. you know, i guess i ha ....
politics, culture, literature, remains committed to those coverage areas today. but we try to explain america to itself to some degree. i think that s one of our purposes. we have a monthly magazine with a large subscriber base. we have a million subscribers, including digital subscribers. we reach a pretty wide array of people across the us and other parts of the english speaking world. and i think i m right in saying you re privately owned by emerson collective, which is an organisation set up by laurene powelljobs, widow of the apple founder steve jo bs. just explain to us how that works. yeah. laurene and emerson collective bought the atlantic seven years ago. it works, knock on wood, wonderfully well. she s a great owner. we have complete editorial independence. she s very supportive of the mission, as is the whole organisation. we re a for profit organisation, although emerson collective has a for profit and a not for profit, separate wings. we are profitable on o ....
which is straight after this programme. hello. welcome to the media show. well, on this week s programme, we ve talked about a couple of subjects which are pretty familiar to us on the media show, but they re no less pressing because of that. one is howjournalists should cover donald trump and of course, he s trying to become president of america again and the other is about the business models of news, because they are under ever more pressure. and when it comes to the business model, we are also looking at al and journalism, because several news organisations have done recent deals with the big tech firms. so that is all coming up. on this week s programme, we re going to hearfrom andrew neil, who has a brand new show on times radio. he s also the chairman of the spectator group. and we rejoined by caroline waterston, the relatively new editor in chief of the daily mirror. yeah, we ve also got two guests coming out of the states one, katie notopoulos, who s the ....