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>> you know, technology has been advancing at a very rapid pace. and, you know, blanks were intended to make a sound and a lighting effect that now we can do -- the sound is easy on set, but we can do everything in visual sets. there is a movement now, there are many cinematographers forming a letter that will go out wide in the next week and i think there are petitions on change.org, but basically to get live fire banned from film sets. >> rachel, i can't imagine how this has been shaking your community of filmmakers. and, you know, i imagine that many of you think, hey, this could have been ...

Shooting war scenes. you told the story of oscar grant who was shot and killed by police in 2009. can scenes like these be filmed without real guns? or do you think not? >> they absolutely can. i mean, technology has been advancing at such a rapid pace, and one thing i would just point out is those two scenes in mud bound were done with vfx. we did it for a number of reasons, the least of which is safety. or the -- sorry, the -- the most of which is safety. but, you know, as -- as the technology advances, there is really no need for -- live fire is a bit of a misnomer but even -- even blanks, ...

Enough to hold all of his equipment several tripods various lenses lighting accessories a machine and last but not least his muse and the leonardo the model in many of his photos this time they're shooting in a world war two era munitions warehouse before they start the artist make sure there's no danger of collapse and then he's got to set up the lighting instruments so on i'm a person who loves absolute symmetry. and it would absolutely bother me if the shadow or ray of light passing through the fog didn't turn out absolutely symmetrical. he sees no limits to the potential of his ass if you ...

She. he still feels drawn to abandoned buildings and only at night he's cast just big enough to hold all of his equipment several tripods various lenses lighting accessories a folk machine and last but not least his muse and only a nod to the model in many of his photos this time they're shooting in a world war two era munitions warehouse before they start the artist make sure there's no danger of collapse and then he's got to set up the lighting instruments get so on i'm a person who loves absolute symmetry. and it would absolutely bother me if the shadow or ray of light passing through the f...