she. he still feels drawn to abandoned buildings and only at night he's cast just big enough to hold all of his equipment several tripods various lenses lighting accessories a folk machine and last but not least his muse and only a nod to the model in many of his photos this time they're shooting in a world war two era munitions warehouse before they start the artist make sure there's no danger of collapse and then he's got to set up the lighting instruments get so on i'm a person who loves absolute symmetry. and it would absolutely bother me if the shadow or ray of light passing through the fog didn't turn out absolutely symmetrical. he sees no limits to the potential of his ass if you runs into one as a trained pyrotechnician he simply develops a new lighting effect such as his light stand.