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Credit: Sebastian Mlynarski & Kevin J Thomson CHVRCHES is gearing up to release a new album called Screen Violence, and now the trio has teamed up...
John Carpenter's Tales of Science Fiction: HELL Comic Trailer Brings Issue #1 Sneak Peek John Carpenter's Tales of Science Fiction: HELL Comic Trailer Brings Issue #1 Sneak Peek John Carpenter fans can rejoice as a trailer for the new comic series inspired by his stories is released. Although he is not directly involved with the series, John Carpenter's style is all over these frightening comics. John Carpenter's Tales of Science Fiction: HELL released its first issue last week, and now it has revealed a trailer in order to entice its readers and draw in new fans. The series was inspired by ...
With the Oscars done, we focus on smaller films. In this mostly electropop episode, we profile Electric Youth & Pilotpriest's score to the 2020 Canadian scifi horror Come True. 1. The Conet Project: 555 Konec (The Conet Project: Recordings of Shortwave Numbers Stations, 1997) Irdial 2. Electric Youth: Modern Fears [Pilotpriest Come True version] (Come True OST, 2021) Milan 3. Pilotpriest: Forgiven (Come True OST, 2021) Milan 4. Digital Underground: Same Song (This is an EP Release, 1991) Tommy Boy FIVE. Aaliyah & DMX: Come Back in One Piece (Romeo Must Die OST, 2000) Blackgrou...
The latest installment in the Halloween franchise is set to hit theaters later this year, though John Carpenter fans still have frightening stories to celebrate in the coming months, as the first issue of John Carpenter's Tales of Science Fiction: HELL hit shelves just last week, with the above trailer teasing the terror in store for fans who pick up the book. The series was inspired by a story from Carpenter and Sandy King, was written by David J. Schow, illustrated and inked by Andres Esparza, features colors by Sergio Martinez, letters by Janice Chiang, and cover art by Tim Bradstreet. T...
Bandcamp / Buy For years, John Carpenter was thought of more like a session musician than a serious artistâa slick and sturdy genre craftsman, more of a cult icon than a name brand. Thatâs all changed in the last decade as heâs become thoroughly deified as the untouchable and exalted Master of Horror, and without even returning to the directorâs chair. Carpenterâs shadow falls over much contemporary American genre cinema and extends internationally too, from the recent Brazilian political thriller Bacurau to the über-stylish movies of Bertrand Bonello, who c...